
The scene starts with 20th century fox. The scene then
starts with a narrative structure of a man talking about his wife, and stroking
her head. Already, this shows the wife’s vulnerability and his dominance
through performance. This is shown when she looks up to the camera, showing
that the audience is in the eyes of the husband. He states ‘I picture cracking
her lovely skull’ making him sound like he wants to kill her, making her look
like the victim. In contrast, as the film goes on, we discover that the wife
made him a diary to make him look like he kidnapped her when she was ‘gone’.
This made him look like the culprit and really illuminated to the audience that
the husband was the victim after all.
The use of light is used to show Amy’s dark, mentally ill behavior.
A wide shot presents this clearly when she is facing her husband and one side
of her face is shadowed. This gives an indication to the audience that half of
her is innocent, vulnerable and kind and the other side shows that she is evil,
dark, even potentially foreshadowing what she is capable of in this film. The microelement
of performance shows that Amy is the antagonist as Nick tries to escape her psychotic
behaviour as he found out what she is capable of and Amy reveals she is
pregnant, having artificially inseminated herself with Nick's sperm stored at a
fertility clinic. Nick doubts the child is his and says he will undertake a
paternity test. Nick reacts violently to Amy's firmness that they remain
married, but feels responsible for the child. Despite nick’s objections, he
reluctantly decides to stay with Amy. The "happy" couple announces on
television that they are having a child. The theme presented here is isolation,
trapped and fear as he couldn’t leave her due to a child.
No comments:
Post a Comment